Album Review by Jolene Rheault There is a specific kind of alchemy that happens when long-time friends retreat into a basement to blow off steam. It’s a raw, unforced energy—a subterranean hum that eventually demands to be heard in the light of day. On their latest release, Sleepers 2, Maryland quartet Sleepers has captured that... Continue Reading →
Photos and Review by Jolene Rheault CHARLOTTE, NC — There’s a specific kind of magic that happens when the scent of anticipation meets the skirl of bagpipes under the rafters of The Fillmore. Last Sunday, Charlotte became the front line for the Dropkick Murphys’ "For The People…In The Pit" tour. This wasn't just another stop... Continue Reading →
Article and photography by Opener Photography / Shanna Rogers Raleigh, NC - On their "And The Adjacent Possible" tour, OK Go brought early 2000s nostalgia to a nearly sold-out Ritz in Raleigh, North Carolina with support from L.A. Exes. From the very start, energy pulsed through the room. As did the endless pounds of confetti.... Continue Reading →
Album Review by Jolene Rheault From the very first notes of the self-titled debut by The Keith Allen Circus, released September 13, 2025, you feel like you’re walking into a big top tent where something strange, beautiful, and a little dangerous is about to happen. Over eight tracks and 38 minutes, the band—led by veteran... Continue Reading →
Album Review by Jolene Rheault Time is slippery. It stretches, loops, and disappears when we aren’t looking. Natalie Brooke’s new album, Measured in Moments, out October 10, 2025, captures that paradox in dazzling color. Through 11 tracks of vivid lyricism, textured synths, and cinematic keys, Brooke invites us to linger inside the fleeting — to... Continue Reading →
Photos and Review by Jolene Rheault CHARLOTTE, NC — Dogs in a Pile returned to the Queen City for their first headlining show in three years, and the Visulite Theatre crowd made it clear they’d been waiting. The New Jersey quintet—Jeremy Kaplan (keys, vocals), Brian Murray (guitar, vocals), Jimmy Law (guitar, vocals), Sam Lucid (bass,... Continue Reading →
Written & Photographed by Ericka Puyat On a chilly night on October 14 in West Hollywood, CA, hundreds of fans lined the street outside the historic Troubadour. Some clutched handmade signs, while others proudly sported their custom-made apparel with the band members’ faces printed all over. The Boston-born pop band made their long-awaited comeback earlier... Continue Reading →
Photos and Review by Jolene Rheault CHARLOTTE, NC — It’s not every night you get ambushed by a marching band of mummies. But that’s exactly how Here Come The Mummies kicked off their set—emerging from the back of the Neighborhood Theatre, weaving through a packed crowd in full costume with a live drum line pounding... Continue Reading →
Photos and Review by Jolene Rheault CHARLOTTE, NC — A sold-out room, three bands with zero quit, and a crowd that sang like their lungs were on the line—Charlotte got the full send. Everclear’s Sparkle and Fade 30th Anniversary Tour isn’t a retro victory lap; it’s a sharp, high-octane reminder that these songs—and these bands—still... Continue Reading →
Album Review by Jolene Rheault Nashville’s Joelton Mayfield is about to drop his debut record Crowd Pleaser on October 24 via Bloodshot Records, and from the early listen, it’s clear this one’s all about the storytelling. The songwriting cuts sharp, blending alt-country grit with surprising bursts of intensity and melody borrowed from the world of... Continue Reading →
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